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Joining Butler’s burly family man James is Peter Mullan, who plays the privately broken grandfatherly leader Thomas, and Connor Swindells’ young and naive Donald. Five minutes into the movie, the three are on the isle, with Nyholm’s editing having a workman-like idea of its own while capturing the mundane goings-on of their duties, setting the stage for … something. The question within the film’s title and its opening text get knotted with odd plot points from Joe Bone and Celyn Jones’ script: a dead flock of seagulls, an ominous shot at night from on the water, as if a fourth point-of-view. As 'The Vanishing' goes on, the film’s inklings of horror prove to make for a strange but too slow set of events.
In time, this film from director Kristoffer Nyholm ponders aloud whether the three men were consumed by forces more immediate, and if done right, more thrilling than eight-eyed sea monsters or alien kidnappers. It turns the true story into a nightmare, with greed begetting death and death begetting madness. First it’s a random dead body, a trunk that’s revealed to have gold in it, and then two more men appear, inquiring with villainous scowls about what happened to both. As everyone fights for what they want in such an isolated place, “The Vanishing” pummels its characters and their spirits. And as the film is as concerned with brutality as it is consequence, all of them become haunted by their capacity to kill.
Nyholm, who recently worked on series like FX’s “Taboo” and BBC’s “The Killing,” has a hit-and-miss visceral approach to this bare bones tale, using handheld cameras and performance-soaking close-ups during its many moments of the men speaking in hushed tones, as if they're scared the rest of the world might hear them. A surprising intimacy arises from the violence in particular: the men often get face to face before fighting, a type of bonding moment, even if one intends to kill the other. But the story's drab atmosphere, and its thorough desperation for austerity, leads to a lack of texture, despite the world's clear frigidness, and the wrinkles that have been cut into Mullan’s forehead. Add a score by Benjamin Wallfisch, which can be obtrusive at some points and tonally misleading in others, and the movie starts to run bland, in spite of its stoicism.
The Vanishing | |
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Directed by | Kristoffer Nyholm |
Produced by |
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Written by | Celyn Jones Joe Bone |
Starring | |
Music by | Benjamin Wallfisch |
Cinematography | Jørgen Johansson |
Edited by | Mike Panikkou |
Production company |
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Distributed by | Lionsgate |
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Country | United Kingdom |
Language | English |
Budget | 5 million |
Box office | 15.7 million |
The Vanishing, previously titled Keepers, is a 2018 British psychological thrillerdrama film directed by Kristoffer Nyholm and written by Celyn Jones and Joe Bone and set in the Flannan Isles, which are best known for the mysterious disappearance of three lighthouse keepers in 1900.[1][2] The film stars Gerard Butler and Peter Mullan. It was released in the UK in March 2019, after an earlier US release.[3]
Three men begin their six-week shift tending to the remote Flannan Isles Lighthouse. Donald (Connor Swindells), the youngest, is inexperienced and learning the trade from James (Gerard Butler) and Thomas (Peter Mullan). James has a family waiting for him on the mainland and Thomas is still mourning the loss of his own wife and children.
After a storm, the men discover a boat, a body, and a wooden chest washed ashore. Donald descends the cliffs to check on the man, who appears lifeless. As they are hauling up the chest, the man awakens and attacks Donald. In self-defence, Donald bashes the man's head with a rock and kills him.
Thomas is against opening the chest, but opens it alone, and keeps what he saw to himself.
Eventually the other two give in to their curiosity and find several gold bars inside. Super smash bros melee unlockables. Urging caution and secrecy, Thomas proposes they dispose of the body, sneak the gold back to the mainland, and lay low for a year before splitting their shares.
Another boat arrives with two strangers, Locke (Søren Malling) and Boor (Ólafur Darri Ólafsson), crewmates of the deceased. They interrogate Thomas, who claims the body and cargo have been reported and taken away, as per protocol. Locke and Boor leave, but attempt to contact the lighthouse by radio. Thomas and James are unable to respond due to their malfunctioning radio, revealing their lie. The strangers return with a fiery vengeance, circling the island until nightfall. In a violent struggle, James manages to strangle Boor and Donald kills Locke, using the woolding. Sensing another intruder outside, the keepers chase him through the darkness and James slashes him with a hook. He is horrified to discover he has killed a young boy, reminding him of his son.
After dumping all four dead bodies into the sea, the three men try to endure their remaining time on the island, despite mounting distrust and tension. James in particular becomes unhinged, secluding himself in the tiny chapel nearby. Donald grows uneasy and insists that he and Thomas leave with the gold. James suddenly reappears, apologising for his behaviour. Once Donald and Thomas have let their guards down, James locks Thomas in the pantry and strangles Donald. Thomas breaks free and subdues James by knocking him out.
Finally ready to depart the island, Thomas and James board the boat with the gold. After throwing Donald's body overboard, James tells Thomas he cannot bear to live with his guilt and lowers himself into the water. He calls for Thomas, who helps him drown. Thomas holds James's head under water then sails on alone.
On 31 October 2016 it was announced that a psychological thriller Keepers was in development, which Kristoffer Nyholm would make his directing debut from a script by Celyn Jones and Joe Bone.[4] Kodiak Pictures would fully finance the film along with Cross Creek Pictures, which would be produced by Andy Evans, Ade Shannon, and Sean Marley for Mad as Birds along with Gerard Butler and Alan Siegel for G-BASE, Maurice Fadida for Kodiak Pictures, and Brian Oliver for Cross Creek.[4] Butler, Peter Mullan and Connor Swindells would star as James, Thomas, and Donald, respectively, in the film inspired by a true unresolved 1900 mystery at the Flannan Isles Lighthouse.[4][5]
Principal photography on the film began in mid-April 2017 in Galloway, Scotland.[6] Locations included the Mull of Galloway, Port Logan harbour, Killantringan Lighthouse near Portpatrick and Corsewall Lighthouse near Stranraer.[7]
The Vanishing has an 89% critical rating on Rotten Tomatoes.[8]